Recently Added Resources
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Jazz and information science.
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Probing audio files for knowledge about jazz
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Professor Cliff Korman offers a course designed to introduce and examine Brazilian music from both academic and performance perspective.
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Professor Wolfram Knauer offers a course on European Jazz.
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Professor Robert O'Meally offers a course focusing on improvisation as a set of artistic modes and strategies, and as a set of perspectives on the world in which we live.
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Professor Robin Kelley offers a course exploring 20th century cultural history through the music, ideas, and image of pianist/composer Thelonious Monk.
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Professor John Szwed offers an introductory course to jazz studies.
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Professor John Szwed offers a course examining the new jazz that emerged shortly after the middle of the 20th century.
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Professor John Szwed offers a course on jazz and film.
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Professor Robert O'Meally offers a course on jazz and American culture.
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Professor John Szwed offers a course on the historiography of jazz.
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Professor Robin Kelley offers a course on jazz and the political imagination.
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Professor John Szwed offers a course on the life and music of Miles Davis.
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Columbia University Professor John Szwed offers a course on sound.
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Columbia University Professor George Lewis offers a course on the intersection of music, race, and nationhood.
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Columbia University professor George Lewis offers a course on the theory of improvisation.
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Columbia Professor George Lewis offers a course on the sonic texts of the black Atlantic.
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Berea College Professor Charles Turner offers a course on the evolution of jazz in America.
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A guide to Kevin Whitehead's course exploring jazz in literature and film.
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Syllabus for Kevin Whitehead's course examining the autobiographies of great jazz artists.
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Explore teaching materials for Kevin Whitehead's course on early jazz through the 1950s.
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Bates College Professor John Smedley offers a course on jazz guitar.
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Mastering written music in early jazz.
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Why understanding Latin jazz is essential to jazz studies.
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Lawrence Gushee considers the birth of jazz.
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Howard Mandel writes about those who write about jazz.
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Negotiating segregated social space.
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Links between two performed arts.
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The Caribbean as a prime source of jazz.
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Strategies of difference and transgression in the act of naming.
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Read about Thelonious Monk's history as a political figure.
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European free jazz encounters its African-American counterpart.
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The Art Ensemble's collective improvisation.
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Thelonious Monk on film.
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Improvisation in Indian music and its relevance to jazz.
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University of Kansas Professor William J. Harris offers a course on jazz in American literature.
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