Improvisation

White Anglo-Saxon Pythagorean (Roswell Rudd)

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Rudd's facility on the trombone and range of timbral effects placed him among the vanguard of the free jazz movement in the 1960s. It was rare at that time to find a trombonist who, according to Davis, could compete with "saxophonists who were bidding their horns to speak in tongues." Rudd nevertheless later experienced the economic consequences of staying dedicated to his art: Davis finds him playing in a Catskills resort in the early 1990s.

 

Exploding the Narrative in Jazz Improvisation

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Iyer asks how an improvised solo can convey meaning or “tell a story.” He develops a theory of jazz improvisation around his idea of hearing the body. To Iyer, the effectiveness of improvisation, particularly its rhythmic aspect, depends on an awareness by producers and listeners of the physical actions involved and their situation within a shared social environment, which creates a cascade of meaningful events in an “exploded” (i.e., not conventionally linear) narrative.

The Ear of the Behearer: A Conversation in Jazz

This dialogue was initiated by literary journal New Ohio Review between two professors of literature who have explored the meaning of jazz and improvisation for their craft. Rasula and Edwards begin by discussing how they happened to become interested in jazz in the first place and who sparked that interest. From that starting point the conversation ranges to how audiences for jazz may emerge and how communities may form around it (particularly those of various ethnic diaspora).

Forces in Motion: Anthony Braxton and the Meta-Reality of Creative Music

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Author Graham Lock accompanied Anthony Braxton's classic quartet on a 1985 tour of England, and this book is the result. It includes interviews Lock did with Braxton and other members of his group. These are connected with concert reviews, stories of the tour, and essays on Braxton's ideas on musical languages and notation systems. Braxton candidly discusses his own startlingly innovative work as well his ethical, political, and spiritual beliefs.

Review—Race Music: Black Cultures from Bebop to Hip-Hop

Guthrie Ramsey's Race Music: Black Cultures from Bebop to Hip-Hop explores the lationship between music and African American identity. Surveying an array of black music styles, Ramsey asks how African Americans have identified themselves in music. He draws upon his experience as a jazz and gospel pianist and his family's participation in the Great Migration to generate an ethnographic method that positions family narrative at the intersection of racial identity and musical expression.

A Forum on the Prosody of Thelonious Monk

Caliban, a journal of alternative poetry, featured this collection of articles on the workings and the implications of Thelonious Monk's music. The contributions include poetry inspired by Monk, analysis of his music, and social commentary. These writings were featured in Caliban 4 (1988). To read the current issue online, please go to calibanonline.com.

 

Current Musicology Special Issue - Jazz Studies

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In this special issue (Nos. 71-72, Spring 2001-Spring 2002), Current Musicology drew together some of the most prominent scholars in the nascent field of jazz studies to deal with important and provocative questions the subject has raised. The volume was dedicated to Columbia professor Mark Tucker, whose untimely death on December 6, 2000 robbed the field of one of its leading lights. This JSO special feature presents selected articles from the issue. © Used by permission of Current Musicology and the authors of specific excerpts.

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