1900-1920s

Constructing the Jazz Tradition

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This artful survey of interpretations of jazz history is also a challenge to the notion that there can or should be any single one. DeVeaux shows that common claims as to what jazz is about-a form of resistance, a folk art, an autonomous high art-coexist uneasily, and that each has been used to support otherwise antagonistic stylistic agendas. He calls for closer inquiry into the nuanced history of each period and rejects dogmatic assertions of jazz' "essence."

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